While Mansa embraces the dimension of a cultural and civic agora, it goes much further. Here, there is no disciplinary compartmentalization, no priority given to one generation or one form of expression. In this first season, the diversity of voices and stories comes alive in a rich program: visual arts, music, cinema, debates, workshops, learning African languages, and passing down traditional knowledge. The elitism so often attached to institutional culture is nowhere to be felt: access is free, mediation is designed to unite, and the programming is crafted with a respectful curiosity toward diverse African influences.

The mausoleum, designed by Francis Kéré, stands out for its blend of tradition and modernity. Its form is inspired by the eye, a symbol of vigilance and transmission, while the circular arrangement of the tombs, the monumental ramp, and the thirteen segments evoke unity and collective sacrifice. The materials used—compressed earth blocks, laterite, granite—embody the choice of autonomy, simplicity, and the valorization of local resources, echoing Sankara’s vision for endogenous and sustainable development.

Let’s remember the impatience that preceded the evening of May 5th 2025: on social networks, in studios, in specialized media, Africa and its diaspora held their breath. For once, the Met Gala seemed ready to do justice to an entire chapter of fashion history Met Gala—Black Dandyism, elegant resistance, and identity reinvention. Expectations were immense, pride palpable.

Madame Koyo’s legacy is immense. She leaves behind a transformed landscape for contemporary African art, marked by stronger institutions, empowered artists, and a more inclusive global discourse. Her leadership at RAW Material Company and Zeitz MOCAA set new standards for advocacy, excellence, and community engagement. Through her writing, exhibitions, and mentorship, she nurtured a generation of creatives who will carry her vision forward.

Often dominated by cities like London, Paris, Milan, and New York, the fashion world is increasingly influenced by West African trends. Brands such as FREE THE YOUTH (Ghana), Pith Africa, Severe Nature & WAF (Nigeria) are establishing themselves locally and building bridges with international brands such as Patta (Netherlands). Their growth is driven by a dynamic, highly connected youth market—half of the African population is under 25—and a growing middle class, representing nearly 35% of the continent's population.